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It features two 36x24mm full frame image sensors, built specifically for the demands and performance of the highest quality cinematography. Each sensor offers remarkable sensitivity, latitude, and color rendition, and in addition to being interchangeable, users can easily switch between sensors, without any additional firmware, and can even use the sensor from the Venice (ancestor camera). It has an 8K sensor that captures images up to 8640 x 5760 resolution, while the established 6K sensor gives a maximum of 6048 x 4032. Both give powerful upsampling for perfect 4K images. At full frame, you can use the full width of the sensors (8640 or 6048 pixels) for a 2.39:1 spherical widescreen or large format. We can use FullFrame creatively in different ways.

Arri's Alexa 35 camera, bringing to market after twelve years an innovative 4.6K sensor with 17 stops of dynamic range, Arri clarifies that it provides more beautiful colors and improvements in low-light performance. The camera has a wide range of lenses, including anamorphic and spherical, Super 35 and large format, a selection of accessories and a new application to improve workflow. It is a 35mm ARRI ALEV 4 CMOS sensor, with a resolution of 2K to 4.6K, is capable of reaching speeds of up to 120 frames per second right out of the box, weighs only 2.9Kg and LDS systems among other features. On one side of the camera, you have several connectors: an LBUS connector that connects the lens motors, a serial port for distance measuring devices, an ETH connector for remote controls, SYNC IN that is switchable to SDI...

The ARRI L7-C LED has a 25% improvement in power over its predecessors. It is capable of achieving an increase in tungsten equivalence from 750W to 1,000W. It has the control of a wide range of color temperature and adjustments of hue and saturation from 2800 to 10000K. It can be connected to alternating current with a voltage between 100 and 250VAC, and a frequency of 50-60Hz. It is a light source that reaches the same power of a tungsten of up to 1000W but consuming much less than half. It can be operated from DMX or remotely by RDM command. It is easy to use and intuitive. It has a color temperature range between 2800K and 10000K and also allows us continuous variation without flickering. It also has green-magenta color adjustment. Its light intensity range is from 0% to 100%

It is a camera that works with a resolution of up to 12K that provides high image quality in 8K and 4K, it also has a Super 35mm sensor and 14 steps of integrated dynamic range, 12K 12,288 x 6480 pixels with which it has a resolution excellent for high-end productions. It accepts 80 Megapixels per frame at 60 f/s in RAW format and 14 stops of dynamic range. The URSA Mini Pro 12K camera has such a high resolution that it exceeds the traditional parameters of the film industry, as it has the advantages of filming on tape with incredible details and very vivid and intense colors. Also, we can film at 60 f/s in 12K, 120 f/s in 8K and up to 240 f/s in 4K (Super 16). It has a switchable PL mount, built-in ND filters, dual CFast and SD UHS-II card slots, and a SuperSpeed USB-C expansion port.

The Flex 4K has the ability to record ultra slow motion 1000 frames per second at 4K resolution. It has a PL mount and a multitude of external accessories. The images it can record in ultra high speed is 938 FPS in 4K and 1977 frames per second in 2K. It has an excellent FPS range from 15 FPS up to 2949 FPS. It is also capable of recording audio thanks to the Mini-BOB adapter. This camera is only available for rent with the hiring of a specialized technician. It uses Vision Research's 1T and 2T Phantom CineMag IV memories, which allows it to capture a high amount of information per second, which entails advanced data transmission technology and a fairly high workflow. It has two recording formats up to 4K Cine Raw and in Apple Prores 422 HQ. It also offers the possibility of recording in a dual way while saving the two files at the same time.

The C500 Mark II camera comes standard with a 5.9K full-frame CMOS sensor with over 15 stops of dynamic range. Its built-in DIGIC DV 7 Image Processor increases functionality and flexibility to enable features such as 5.9K recording, internal Canon Cinema Raw Light recording and Dual Pixel Autofocus. Canon C500 Mark II allows us to enjoy optional interchangeable lens mounts so that we can adapt them to our requirements according to the project we carry out. The EF lens mount is compatible with many Canon EF lenses, such as EF cine primes, while the optional PL mount can be used with the Cooke/i system. In addition, we can also use the B4 mount adapters with B4 optics. This camera can also record at high speed as it supports up to 60 frames per second at 5.9K.

Hire high speed video cameras. In recent years, with the appearance of high-speed video or film cameras with S35 sensors with high 2k or 4k resolution and capable of recording up to 1000 fps in 4k resolutions. The use of high-speed cameras has spread in video, television, film, advertising, and documentary projects. Many manufacturers of digital cinema or video cameras are implementing high-speed recording options in their cameras. Like the Arri Alexa Mini digital cinema cameras that go up to 200 fps. Red Monstro and Red Helium movie cameras go up to 300 fps. Although Casa Visión researh's high-speed phantom cameras are the most used for Video, Film, Advertising, Documentary or television filming because they offer FPS performance and image quality without competition in the field of high-speed cameras.