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It is a high-end LED light source, ideal to work together with the L7 light source. The L5 LED Fresnel is very robust and light, with a weight that does not reach 7Kg, it has the same advantages as a tungsten fresnel, but allows color correction adjustments among other qualities. It can be connected by alternating current with a power supply range from 90ACV to 250VAC, and with a frequency between 50/60Hz, with the advantage that it has a very low consumption of no more than 115W. When we change intensity and temperature, the L5-C model does not suffer any kind of flicker. It has a continuously adjustable green-magenta color correction. It is ideal for use both indoors and outdoors as it supports very low temperatures -20ºC and very high temperatures + 45ºC. Arri's L series are the market leaders in terms of LED lighting.

We offer a wide catalog of optics from the most relevant brands for cinema. Within our catalog you can choose different types of optics: S16mm, 35mm or Full Frame spherical objectives. From the wonderfully smooth look of the Cooke S4 to the sharpness of the Master Primes. Complete sets of fixed optics with extra focal lengths and different zoom options, with servo like the latest Fujinon, lightweight options for using a shoulder-mounted camera like the Angenieux Optimo Style or if what we are looking for is to cover a wide focal range with a good aperture, Angenieux Optimal 24-290. We also have S16 games compatible with Arri Amira and Alexa Mini.

We put at your disposal the rental of a DIT station to fully conclude your feature film, advertising or television production. It is a system that can work with any camera, and gives the best workflows for Alexa SXT, Alexa XT Plus, Amira Premium, Red One, Red Epic, Sony, Phantom, Blackmagic, etc) and performs backups on RAID disks through of USB-3 and Thunderbolt connections and offer maximum speed to generate several high-speed copies at the same time. You can create any type of proxies or dailies by transcoding the material shot in various formats, both for editing and post-production, as well as for viewing by the filmmaker, cinematographer, production manager... Generate LUTs so that the DoP can see the signal with the look you have in mind. It works in real time in HD, 2K and 4K formats, and we can also assemble sequences on the set itself. The included software allows you to generate checksums of the dumps...

At Camaleón Rental, we have studios and sets for Film, Video, Television and photography to offer as rental. We have a wide variety of sets and studios ready for the most demanding types of recording and photography. They are sets and studios that are fully equipped with the latest technology, and also all have ideal access for loading and unloading equipment or sets, which makes work easier and more comfortable. We offer sets and studios for rent with different characteristics and sizes in the cities of Madrid, Lisbon, Seville and Valencia. Apart from the rental of sets and studios, we also offer good discounts on rental of camera equipment, lighting or grip and also on special recording services. We also have high speed with Phantom cameras, film cameras, video assistance equipment, camera stabilizers, telescopic or Dolly cranes, that is, a wide range of possibilities.

En Camaleón Rental disponemos de alquiler de estabilizadores de cámara y Gimbal. Tenemos un gran catálogo en alquiler de estabilizadores de todas las marcas y modelos idóneos para cualquier tipo de rodaje. Desde los estabilizadores Steadicam con mejores características del mercado como por ejemplo Steadicam Pro hasta los Gimbal más completos más profesionales como por ejemplo Movi Pro, Movi XL ó DJI Ronin II. Ofrecemos el mejor servicio de rodaje con personal cualificado con años de experiencia con los estabilizadores de cámaras. Sólo ofrecemos servicios completos. El servicio mínimo que ofrecemos con estabilizadores se trata de un operador con el equipo estabilizador que más se ajuste a su proyecto. Aunque ofrecemos multitud de configuraciones, en las que se incluyen auxiliares o ayudantes de cámara, foquistas o segundos operadores para Movi y Ronin.

The DSMC2 Monstro 8k camera from Red is distinguished by offering high resolutions and also high image quality. The MONSTRO sensor goes a step further, offering 17x more resolution than HD and 4x more than 4K. This camera has a 35.4 megapixel CMOS sensor with a maximum resolution of 8192x4320, a size of 40.96x21.60mm and a dynamic range of 17 stops. This camera has a larger sensor, so what it offers us is a shallower depth of field, achieving a greater dimension and an expanded perspective. The camera gives us 8K image recording, this causes the magnification to increase and thus the perspective signs become more pronounced. What really distinguishes its sensor from the RED DSMC2 Monstro 8k camera is the size of its pixels since the smaller they are, the more they can enter the camera sensor, which leads to suppressing the sharpening of the contours of the objects that They are seen on camera with lower resolution.

Hire high speed video cameras. In recent years, with the appearance of high-speed video or film cameras with S35 sensors with high 2k or 4k resolution and capable of recording up to 1000 fps in 4k resolutions. The use of high-speed cameras has spread in video, television, film, advertising, and documentary projects. Many manufacturers of digital cinema or video cameras are implementing high-speed recording options in their cameras. Like the Arri Alexa Mini digital cinema cameras that go up to 200 fps. Red Monstro and Red Helium movie cameras go up to 300 fps. Although Casa Visión researh's high-speed phantom cameras are the most used for Video, Film, Advertising, Documentary or television filming because they offer FPS performance and image quality without competition in the field of high-speed cameras.

At Camaleón Rental we offer the rental of all lighting equipment related to the world of cinema, advertising, television and events. We have HMI lighting material, Arrimax 18/12 and M Series. M90, M40, M18, M8. The M series lighting kits have Flicker Free Ballasts up to 1000 Hz which are ideal for use in high speed recordings, we also have the latest in the market from the most relevant brands such as Arri and Kino flo led , Dedolight, Astera or Aladdin. Among others we highlight the Arri Skypanel 360C, Skypanel 120C, L Series, Orbiter, Astera Helios and Titan devices. We have to offer a wide series of Fresnel lighting sources, generator sets, portable power systems and everything that is necessary for a shoot.

In a well-planned shoot and with the help of a qualified operator, a telescopic crane is perfect for minimizing camera placement times, it can make tracking movements without the need for tracks, that is, it makes everything faster, which leads to make it cheaper. Camaleón Rental puts at your disposal several options to make possible the camera movements that you have always imagined, advised by professionals with years of experience in the use of this type of cinematographic tools in any type of situation. In other words, we advise you on everything, starting with the choice of the model that suits your production, the choice of the necessary personnel for its set-up, its use and even the way of transporting it.

Arri's Alexa 35 camera, bringing to market after twelve years an innovative 4.6K sensor with 17 stops of dynamic range, Arri clarifies that it provides more beautiful colors and improvements in low-light performance. The camera has a wide range of lenses, including anamorphic and spherical, Super 35 and large format, a selection of accessories and a new application to improve workflow. It is a 35mm ARRI ALEV 4 CMOS sensor, with a resolution of 2K to 4.6K, is capable of reaching speeds of up to 120 frames per second right out of the box, weighs only 2.9Kg and LDS systems among other features. On one side of the camera, you have several connectors: an LBUS connector that connects the lens motors, a serial port for distance measuring devices, an ETH connector for remote controls, SYNC IN that is switchable to SDI...

Camaleon Rental has Video Assistance available for rent. At Camaleón we offer a multitude of solutions for video assistance on the set of filming. View from different ipad or Tvlogic, Sony OLED monitors via Wi-Fi network or radio frequency. We advise and offer for any comprehensive solution for all types of configurations. We also have other accessories related to video assistance such as monitors, recorders and wireless video radio links. Some of the features of the Smart Assist Dual is that it has two SDI inputs for two HD cameras and six SDI outputs. Among the features of the Smart Assist Quad we can point out that a 4K camera or four HD cameras can be applied to it, that it has twelve SDI outputs and that it also has outputs routed to mini Oled screens. The Odyssey supports resolutions from 1080.2K to 4K, we can connect it via bluetooth and it allows viewing up to 4 cameras.

At Camaleón Rental we offer to rent camera accessories. We have everything you need for your camera equipment. You can configure all kinds of accessories to your liking, thinking about which ones best suit your shooting. We have Oconnor and Ronford tripods, Arri, Oconnor or Cartoni fluid heads, Panasonic, Tvlogic and Transvideo Onboard or direction monitors, We also have Paralinx Toma Hawk or Teradek Bolt video signal radio links, Arri, Oconnor Scorpio wireless and manual focus controls . Filter holders and filters from the best brands on the market in 4x4, 4x5, 6 and 6x6, Odyssey Recorders, Atomos, Sound Devices, Magliners and Lince Crane camera carts, Easyrig among others. We work with the best brands of accessories so that the camera is well equipped and does not lack a detail. When renting, we advise you on the best required accessories that you can use on your camera depending on the type of shooting you are going to do.

Camaleón rental offers video cameras that are devices that capture images and convert them into electrical signals or video signals, also known as television signals. There are several types: such as portable video cameras or known as ENG cameras, studio cameras or camera chains and action video cameras. So-called studio cameras are integrated into the video production system. Those that are called video camera chains are located in mobile units or on set facilities and do not record on the camcorder, they record on the Mobile unit or camera control. Both the color and the exposure control are controlled externally from the camera control. The video cameras that are also called ENG cameras are independent of installations and have a built-in recording system. All recording, exposure or sound work is done only by the camera operator and does not need more.

The ARRI L7-C LED has a 25% improvement in power over its predecessors. It is capable of achieving an increase in tungsten equivalence from 750W to 1,000W. It has the control of a wide range of color temperature and adjustments of hue and saturation from 2800 to 10000K. It can be connected to alternating current with a voltage between 100 and 250VAC, and a frequency of 50-60Hz. It is a light source that reaches the same power of a tungsten of up to 1000W but consuming much less than half. It can be operated from DMX or remotely by RDM command. It is easy to use and intuitive. It has a color temperature range between 2800K and 10000K and also allows us continuous variation without flickering. It also has green-magenta color adjustment. Its light intensity range is from 0% to 100%

The L10-C LED lighting Fresnel, is the largest projector in the L-Series range, it is also the last one that Arri has brought to the market. It is made of aluminum and thermoplastics and thus makes it very robust but with a very light weight. The light it produces is so strong that from a long distance it manages to wrap the desired product very well. It is ideal for use both on sets and filming sets. It can be connected to alternating current voltage 100V - 250V, 50 - 60Hz. It is not possible to power it by batteries. It is considered an energy efficient product since it has a consumption of between 410W and 510W. It is possible to operate it both by DMX and wirelessly via an RMD command. Its color range oscillates between 2800K and 10000K and we can vary it in such a way that flickers do not appear. We also have the possibility of green-magenta color correction. It has a variable light between variable light between 15 and 50 degrees.

We offer the best Blackmagic cinema cameras for rent: Blackmagic Ursa Mini Pro 4.6K G2, Ursa Mini 12K and Blackmagic Ursa Mini 4.6K PL.

The Flex 4K has the ability to record ultra slow motion 1000 frames per second at 4K resolution. It has a PL mount and a multitude of external accessories. The images it can record in ultra high speed is 938 FPS in 4K and 1977 frames per second in 2K. It has an excellent FPS range from 15 FPS up to 2949 FPS. It is also capable of recording audio thanks to the Mini-BOB adapter. This camera is only available for rent with the hiring of a specialized technician. It uses Vision Research's 1T and 2T Phantom CineMag IV memories, which allows it to capture a high amount of information per second, which entails advanced data transmission technology and a fairly high workflow. It has two recording formats up to 4K Cine Raw and in Apple Prores 422 HQ. It also offers the possibility of recording in a dual way while saving the two files at the same time.

We offer the best Vision Research high speed cameras for rent: Phantom Flex 4K, Phantom Flex 2.5K, Veo 640S, Veo 340S,

It features two 36x24mm full frame image sensors, built specifically for the demands and performance of the highest quality cinematography. Each sensor offers remarkable sensitivity, latitude, and color rendition, and in addition to being interchangeable, users can easily switch between sensors, without any additional firmware, and can even use the sensor from the Venice (ancestor camera). It has an 8K sensor that captures images up to 8640 x 5760 resolution, while the established 6K sensor gives a maximum of 6048 x 4032. Both give powerful upsampling for perfect 4K images. At full frame, you can use the full width of the sensors (8640 or 6048 pixels) for a 2.39:1 spherical widescreen or large format. We can use FullFrame creatively in different ways.